
_______ Contributors |

Keith Althaus
The Age of Acronyms
Alphabet blocks tumble from a child’s hands like dice, bounce and settle in the carpet, coming up a once familiar combination, call letters of the left, now unnoticed even by the grownups at the table who go on commenting on her hair, her eyes, the pretty pajamas, while the letters rage outside their universe.
One by one, she turns them over like rival factions splintered from those now face down, that failed because the world wasn’t ready, hadn’t hit the critical mass of misery and avoidable suffering, so they died, expiring in halls with too many chairs, placards, leaflets, fire now consuming words and thought.
Blocks with letters raised, so you can read them in the dark, feel between the rims the wavy wood grain bleeding through the paint, and in that sea imagine faces, friends from the end of being true, marching together under a sign.
Clouds all afternoon, the side streets swept clear of people, cars, lonely as after a war, the lifeless victory rats and cockroaches share. It all comes back: the banner dropped, one side let go, the run to shelter, there is none, all you know, there is more, this is just a bubble, an unlikely spot on earth whose other places fester, open sores, glistening, like initials inside a heart glazed with rain.
January
Maybe a sunset of burning trash. A last look at the cathedral of unhappiness from the window of the bus. The extras are moving about again, city to city, hooded like monks in the one twilight with different names. O mirage of winter, black ice of our misunderstanding: seeing what we want, there or not.
In a Little While
In a little while the light will go out behind these faces I’ve talked with all afternoon, including mine, and the well we draw our voices from will go dry.
The luster they tell you to look for in the eye of the porgy and sea bass on a bed of ice will cloud with new comprehension, and the chaos of a sunbeam strained through a lens will cut this leaf in half like a hand of fire.
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