
Contributor Notes | Lisa Grunberger
A Woman Not My Mother
She’s digging shekels out of her white leather purse, looking down through her bi-focals to see the sizes of these new coins in her ancient homeland. In the mirror I, a child of nine, can see the dark eyes of the cab driver looking at her. After that I thought they would get divorced for sure. I detected a lilt in her voice when she said goodbye— “Lehitra-ot—shalom.” When we stepped out onto the busy Tel Aviv street for the first time I looked at her as a woman not as a mother. I saw her plump body with cream colored slacks, a turquoise blouse stretched over her breasts, a fuschia silk scarf wrapped European style around her neck—I looked and I saw a quick-stepped and quick-witted woman walking half-way down the block. I looked back at the cab lost in the lunch-time traffic. I heard my name being called but I saw nobody attached. She was gone. When I looked up, it was as though a director had cleared the set of frantic extras. I could see her
at the next corner at a falafel stand, motioning me to come ahead. I took a picture of her there as I got closer—she’s reaching for the falafel, overflowing with beet-stained turnips and olives, she’s not looking at me, she’s looking at the man who’s handing it to her. I pressed the button on the automatic-focus camera Daddy gave me before we left. I felt silly wearing it around my neck.
It swung from side to side when I ran down the block, againstmy flat chest.
How would I explain the glow on her face years later, when the steam rises from the sink as I do the dishes and I can hear the cabs honking, I can smell the pungent spice of the falafel and shwarma, I can see the Asiatic eyes of the cab driver grinning at her blushing face. You are beautiful I say to her as I scrub a pot forever seasoned with the soups— potato leek, sweet pea, schvamel, she made years and years ago.
Driving Home from the Cemetery
My body a ghost of roses, engraved with memory. My father’s scent still so fresh, the earth on my hands, beneath my nails.
Today I touched a shovel, spoke to a rabbi, said a prayer. Today I kneeled. Greeted relatives I hadn’t seen for years. Now we drive, 70 miles per hour somewhere in Queens, I don’t know where. Uncle Milton bought the plots years ago, between the wars; you got a better rate by the bunch.
You put your hand on my left thigh and it opens like a door with a loose hinge.
You say I spoke with grace and beauty, the eulogy, the words.
Oh my man, drive me away from this dust, these stones, do not leave me here alone with stories spoken in the past tense, he was, he was, he was, so glorious, so good, so honest, so true.
Let’s have a rain dance, a love fest, let’s bake bread. We go home to boxes and covered mirrors. We go home to his things, the kitchen. A car cuts us off. No music for a year. I roll down the window, put my hand out the window. Feel the wind against my hand. Bring wind-palm to your lips.
For a long time, I stare straight ahead at the road. Then I realize that the sky on this August day is the color of his eyes—
a pale pewter blue-grey. All week I cry.
Making Soup, Acts of Faith
He said I don’t believe in divorce. The copy woman held the receiver—
Does Delancy Street still exist? It lives between my legs I offer— and she cocks her head the way you did when I said I didn’t believe in marriage
and monogamy was a desert island.
You’re thrilled at dinner because you have no cavities. Let me be your fillings I say as I stir the lentil soup, an unfaithful copy of Madhur Jaffrey’s Indian original.
Between rooms I shout out the words I read: Yeats said talent sees difference; genius sees unity. I realize then, certain things are better said when in the same room, whispered even, not shouted between rooms, between bodies in different rooms.
Does Delancy Street still exist? Two huge holes on the greatest island in the world still exist. Across
the small table: soup’s delicious, baby, what’s in it? Oh, everything but the kitchen sink—sweet potatoes, peas, carrots, cumin, cream.
Children come on week-ends searching through the rubble for their Fathers. Firemen salute dead body parts found. Later, you whisper let me be your filling and I receive you, not numb, I receive you as though you alone existed as though without you I’d be an isle of starving greed, untouched virtue, rattled need. I don’t believe
in death, I say beneath the sheets, close to you, close, so close it hurts.
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