![]() Interview with James Cherryby Kimberly Mathes in this issue _______ Poetry by Kimberly Mathes in a previous issue _______ | ![]() How to Say Goodbye for Claudia Rankine The way your kindnessmet me on the Sunday ofmy life makes it hard for meto express Kindness is too tinya word to describe youryourness so I falter instead Ireturn the borrowed book ofyour own poems and unpack thebulky grocery bag you left like I am pullingpresents from a stockingChristmas day holding each gift inmy hands to feel what itbrings at the end which is the Mondayof my week I revel in the driedpasta balsamic vinegar sweet yellow onions and a pair of shoes you never wore How did we meet half way? Now this is Tuesday you are done here you will leave a trail of goldenacross the sky one way from Cleveland toManhattan just the sparklingdust of you and underneath new shoes for me andgroceries The new package ofPhiladelphia cream cheese at the bottomof the bag delighted me I am beginning in themiddle you are ending in themiddle to begin again I unpack my groceries and think it reallyis time to unpack too and leave, shelve fear next to thepasta and walk or fly away come Wednesday which is now tomorrow Oh Ho! you say This is you what I will hear,what is imprinted your palindromicexclamation opening textures each word its ownpackage to beheld and weighed itsown gift in the end Meeting me teaching me leaving me unpackinggroceries looking down at mynew shoes Grace Thechild works on printing, the fat black crayonmarking paper the color of the sun. Uppercase letters align like soldiers: GG G G G G G G G JJ J J J J J J J J J J J Butlower case letters mis- behave,reverse and drift: d d d d d b d dd b p pp q q p p p p p q Shegets the first letter of her name rightevery time: K K K K K K K K K, butthe last letter is tricky. Whichway toextend the leg on the v? And shewonders if Fis supposed to blow west oreast. Each letter forces finger cramps. Her mother patiently insists–again,again–already teaching thechild the mystery of birth: the great uneasewhich leads to unwavering devotion.Late one night, she accelerates throughthe dark. Rounding the curves ofSan Juan Boulevard reminds herof the crayon tracing loops and filling emptypaper. She sees words carvedfrom the darkness. All thattime at the antique desk scrapingshapes into letters, learning reverence:letters to words, words to love. It Must Be Something Else Theangels fill the house, gathering inthe ceilings and upper walls. They roustabout. They laugh. They describe how welive inside the sleep ofthe wounded. They tell me to love— despite,and even if. They give me thesewords, pouring them like pebbles intomy cupped hands. And when I tell them there’sno love strong enough to make me wantto live in this world—not even thelove of my son, they say nothing atfirst. (So it must be something else.) Thenthey answer with silent ovation. “You’reso tired,” they applaud. “Just wait.” Two Guns I. West Bound We are quiet on the freeway and now there is nothing to say but to watch the sun ease down the horizon, leaving a wavy pink wake. We have traveled over four hundred miles after working a full day. We pass Two Guns, Arizona, and now, work ended for one day, there is nothing to do but note Mt. Humphries growing closer. We have been gliding under grey since we left, and the end of the cloud front hovers between us and the mountain. When we arrive beneath the star-filled sky, we will be halfway. II. East Bound The same stretch of abandoned train cars line I-40. Whose day will be filled with hooking up to their loneliness and pulling them home? The fourth car explodes with graffiti: HOLLA. The H, taller than a grown man, leans into the O, which bounces into the double L, which sidles up to the peaking A. My mother-in-law, refusing to believe that phones are now mobile, calls near Gallup and thinks we are at home. But the land turns into reservation and more emptiness as we point the car north for the final leg, andthe call dropsas her voice rises and her hollering engulfs the night. ![]() | ||