![]() This translation project was supported by the National Endowment of the Arts ![]() _______ In a previous issue, Olga’s poetry andscraptals _______ Contributor Notes | WHAT SEA? 20 Poems ![]() by Kiki Dimoula Translated by Olga Broumas Kiki Dimoula (ΚικήΔημουλά)(b. Athens 1931) is an acclaimed Greek poet, a member of the Academy of Athens,one of three women so honored since the Academy began inducting members in1926. Among her honors are two StatePrizes (1971, 1988), the Excellence of Letters (ΑριστείοΓραμμάτων) of the Academy of Athens (2001), The EuropeanLiterature Prize in 2010, awarded by the Association CapitaleEuropéenne des Littératures, and, inFebruary 2011, the Greek Grand Prize in Literature for Lifetime Achievement. Herpoetry has been translated into English, French, Swedish, German, Italian,Polish, Spanish, Bulgarian, and other languages. She married the poet and mathematician Athos Dimoulas; theyhad two children. Nikos Dimos, in his essay on Dimoula,references this excerpt on Metaphysical Poetry from J.A. Cuddon, to aptlydescribe the scope and focus of her work: “arresting and originalimages and conceits (showing a preoccupation with analogies between macrocosmand microcosm), wit, ingenuity, dexterous use of colloquial speech,considerable flexibility of rhythm and meter, complex themes (both sacred andprofane) a liking for paradox and dialectical argument, a direct manner, acaustic humor, a keenly felt awareness of mortality, and a distinguished capacityfor elliptical thought and tersely compact expression.” J.A. Cuddon, ADictionary of Literary Terms, p. 508 _______________________________________________ Publications: Poems, 1952 Erebus, 1956, Absentia, 1958, On thetrail, 1963 The Smallof the World, 1971 My LastBody, 1981 RejoiceNever, 1988 Lethe’sAdolescence, 1994 A Moment’sTogether, 1998 Poems (Collected Edition), 1998 Sound ofDistancing, 2001 ThePlayful Myth, 2004 (Acceptance Speechfor her induction to the Academy of Athens) Unplanned, 2005 (prose texts) HothouseLawn, 2005 We’veRelocated Next Door, 2007 LO LALA LOLA A dream on patrol in abandonment’s tenements arrested an old acquaintance suspicion red-handed, leaning on a shuttered likelihood, eavesdropping. “Please understand,” I told it, “the folks you nab are no garbage. Don’t mire them in. I break my back retrieving them. They’re for repair and return. You’re not their expiration. A poor exhausted nap is what you are under the cool of tears while the repairs occur so they won’t hurt.” A skilled restorer, inspiration, precisely montaging all their trials without which the body doesn’t trust any reintegration. New people never did exist. And even if we named a couple first-created it was to win imagination’s majority confidence vote. They always show up second-hand from their mysterious origin, a mystery too how old that is, what slavery it comes from, horsewhipped in cellular plantations for dinosauric eons. We don’t know a thing. Every beginning came to us a simile with its mystery. A fabulous restorer, inspiration – of every worn beginning renewing art, artifice, and life from ashes to Lo Lala Lola all fall up! Only their box is new. I send them down again with the old price since they have lived before. So, have we too? Then what’s the quick? And is the seam a gimmick to make us love? If life is reparable where’s all that’s lost? Still being stitched? Can such delay be overcome? This inspiration, is it careful, correctly marking, numbering each piece, or does it use my body by mistake to fix like new what yours is lacking? So old each new sorrow. So dearly paid for its new box. O millionaire answers and your unknown hooded, secret abductors. REVERSAL OF THE REASONABLE My God, try to remember where you hid the findings of thatawful accident. I dug where I detected some buried wrecks oflogic, but besides no other explanation. I want to understandwhat overturned the rule and brought about thatfatal by exception. What happened? The road was straight. The warring anarchicdifferences — whichcharged you from their lair behindthe serene Edenic equality ofblooms blooms and the flowers ― you cleverly quelled,corralling them in a spaciousgradation: large small smaller least. And so the majormatter: who eats whom was settled in thecourt of mass. The hunger of thesmaller feeds the hunger of thelarger and so on. It only surfaced laterthat the reasonable was not so fruitful. And while the largefish ate the small the ephemeral thebutterfly eros ate eros proliferation theunique the soul was eaten byits fretting over leaving us the seven goatsdevoured by the wolf except the smallest onewho hid behind a story. What happened, God,that final moment on such straight road,were you daydreaming and the rule reversedand we fell in that fateful byexception so now the small wormeats the large human except the smallest one who hides behind a story. I LEFT YOU A MESSAGE Hello, hello, can you hear me? Hello? I’m calling from far away. What? You can’t hear me? Has my distance discharged? Areyou speaking from mobile space? Presszero again? Again? Can you hear me now? Yes, can you please put my mother on? What number did I call? The Sky — this is what I was given. She’s not there? Can I scream her a message? It’s very urgent, tell her I saw in my sleep she died and I small sobbing child who peed itself fear-soaked all the way up and still not dry. Tell her to come and change it. If she can’t, tell her please her old warning ripened, that the old man would eat me if I didn’t eat. It ripened. I became a meal of age. Not in a small dreamy taverna. In some popular dive now managed by the mirror. LETHE’S ADOLESCENCE I wait a bit for the differences and the indifferent to darken, then I open the windows. It is not urgent but I do it to keep motion from warping. I borrow my former curiosity’s head and twist. Nottwist exactly. I nod a servile good evening to all those fawners of the fears, the stars. Not nod exactly. I fixwith a gazing thread the silver buttons of distance, some of which are undone, tremble, and will fall. It is not urgent. I do it only to show distance my gratitude for its offering. Without distance long trips would shrivel. The universe our need to flee had pined for would be delivered to our door by motorbike like pizza. Like a leech old age would suck on youth and I’d be called grandmother from birth equally by eros and grandbabies. What would the stars then be without distance’s provident support? Earthbound silver, some candelabra, ashtrays for the spent butts of pugnacious wealth, and fawning’s investment bubble. Without distance nostalgia would speak to us in thees. Her now rare timid rendezvous with our plethoric need would fatally assimilate frequency’s street-smart speech. Of course, without distance, our neighbor wouldn’t seem a far-off star — he’d be in prime proximity, two steps would bridge his outline from a dream. As also nearby the soul’s ultimate escape would stay. Why so much wanderlust? Whole rooms are empty. We’d go downstairs to live in our basement body and distance with its myth and odds and ends would incarnate to flesh. If not for you, distance, Lethe would, much easier and faster in one night, traverse her difficult protracted adolescence which we, for euphony, name recall. Not recall exactly. I fix facsimiles with a gazing thread — they’ve come undone, are trembling, and will fall. Not fix exactly. Servile, I orbit those fawners of time which I, for brevity, named recall. Not recall exactly. I refuel meteors with extended annihilation. It is urgent. RESURRECTION WEEK The devotion night will show us oppresses me. Iprefer
to remember. Not that my well of living images is dry. But each time I place them in their expressive postures, I see by morning they have moved. I know it by the scrapes their drag from their original positions leave on stability’s luster. It’s why I insist on remembering: to not mar the luster. Not because it makes me feel more durable — it being the infinity of time already lapsed. If I insist on remembering it’s not to accommodate God — arousing the inert figures, I provide him also with some motility. I insist on remembering not because ease offers me this choice gratis. Byarduous feeling and sacrifice and turning despair inside out, I eked out how to squawk-dyi squawk-ing — I speak crow-Latin to keep the menace ignorant of my refuge. If I insist on remembering it’s not to find excuses for always speaking in the same worn words — what do you think the new ones are? A temporalchildish defiance to the old. If I insist on remembering it is no battle-flinch no backwoods retreat. All kinds of people constantly pass by. What I remember can be seen from the most central districts. For a little hope, a hint of renewal I remember. I’mtotally fed up with all that ineluctable and future Lord squawk why-have-you-forsaken squawk— without exaggeration! NOTHING IS LOST OF A PIECE Do you remember the small carafe a crown of blue blossoms painted on its wine-bearing lip? — you bought it in Alsace for me without enthusiasm what for, you said, wenever drink. You never know, Iinsisted, one day we might in some haze need to meet. Its handle broke for no reason other than a deep crack in my touch. I hold it now from your hand steady with your hand my hazy alcoholic figment fills it up with wine. THE SLEEPING TRUST At night, that angelform melting, kneading the body with sleep’s lotions, creaming its defenses, it is no physiotherapist. It is your new employment in storage, treasuries, safe deposit boxes — you can’t see blindfolded by the bosses. Invisible telecontrols direct your secret practice. Your work is this: to not know what it is you guard or until when. Dreams? Do they trust us? Most often we rob them leaving in their stead beautiful forgeries as real. Now, for this storage post they choose for reasons of security bodies who sleep alone on hard unyielding anatomic beds since stuffing, inner springs, latex and curves on the empty side — their fluffy anomalies roll him to the dent eye punched ECSTASY My small child got into mischief once again climbing the ledge of the universe his hand jostling the red plate hanging on the skywall spilling all the light down on himself God startled to see the sun dressed in child clothes scrambling back down the ladder of my mind And now I sit and sternly scold my child as secretly I steal his poured-on light. PROVISIONING SUMMER NEEDS Below, the sea waits always for a wrinkling wind. Athos Dimoulas “Supreme Generality” Some wide-flung windows hoist Summer up by insect derrick. I count: a couple of letters are missing. The bottom rocker of the s is gone. It had been loose last year. Now where will all this dimininution sit with its host of eunuchs? Still, the diminishing is firm — it withstands tons of pain. Sit freely. I think I’ll add a recliner to the list to replace the broken s. I also need a small transistor radio glued to the ears of the waves tuned to the pirate stations of the sands. An easily sensitized song reels in characters that almost match the ones you remember others. You’ll have plenty of seats. Filtering glasses too, lest I remember more, though now and then I do wear smoky contacts. A hat for the sun although it blazes less than when night and day you’d invent it. I’ll try on an old sunburn curious whether my back’s old crazy passion for it peeled. New swimsuit — my decline has gained a lot of weight. In fact, I’d relish a new body — to sit along its miles and stroke the airy wrinkles of the sea. But logic will finally prevail: the logic of this body at my disposal. All the sea’s Ss one by one are carefully hoisted bubble-wrapped in blue transparent water by seagull derrick. What sea? Mere a distant cosmogony’s refugee. Corruptingly immense because of the precipitous and schistic initial temper of the cosmos. Harlot escape’s optical pimp. What sea? Time for the logic of the body at your disposal to prevail. Get dressed and swim. (Tear-Dumping Strictly Prohibited. Maturity already is MICROWAVES What are you doing here a straight working road like you on an idle bench? Well, I’m psychoanalyzing free of charge this painter from a foreign dark-skinned land, how calmly and skillfully he paints the day out-of-work. I midwife reliability and honor. He plants the brush in one hand and in the other’s microwaves he heats a breadstick dried by hours upon the sun’s proclaiming tongue. I’m analyzing the inventive stalling of his hunger. He eats a sesame apart from each small bite extending its face value. The light annoys me. Difficult customer. He doesn’t like the paint job keeps changing it by stirring in every new passing hour. I’m furious at obedient expatriation. With every passing hour it paints the unemployed day. Finish already. Soon the difficult customer will set. I DO NOT KNOW [THEMAN] [Matthew, 73] Because you keep suspect company especially that of the soul you will be called someday to Prosecution for interrogation and identification. Be cautious confess laconically. They will lead you in darkness to a sealed informants’ hall. You will sit at a fist-beaten table before a fat dossier of suspects’ pictures. They’ll leaf through it one by one, you will not speak, they will go on. As soon as you see a finger press insistent as a gun barrel against a suspect’s temple be ready you will say I do not know the man (thrice) the barrel will move slowly, it will land on time’s temple, keep steady insistent I do not know the man (thrice) equally strong if terrified your answer in front of death’s photograph must stand I do not know the man (thrice) and when the Prosecutors finally irritated and with savage punches smash your face upon a faint exquisite sketch in dreaming’s charcoal I never saw it again once youwill say. EXERCISES FOR LOSING EXTRAPOUNDS INA SHORT TIME Lie down. Onsomething hard. At first comforts’ vertebrae might hurt but gradually and painlessly the spine of immobility lengthens like a cypress. Now contract your bad habits in a rigid line. Bring your hands loosely to your chest like makeshift wings of temporary angels. Don’t shift position. Deftly the supine rows. Don’t be scared. Fear is fattening, it contains hunger. Don’t snack on sensations. Too many calories. They’re responsible for deprivation bulge. Eyes closed at all times please. No misconstruable peeking, no lollipops of light. They radiate ultraviolet nostalgia. Exhale forcefully, lie still, don’t breathe, don’t breathe — you risk imprinting only half the oarsman on the x-ray. Surrender now to the slide of sleep. I’ll put on a tape, relax, your mama’s lullaby, sleep my sweet baby, willing or not. Weigh yourselves. No moving — your body has an integrated scale. VALUE ADDED I read a most interesting scientific finding that we humans are the only creatures on the earth who weep. And I felt pride that just our own introversion affords us such expressive philanthropic glands. Let’s say — as a hypothesis — I was a little lemon tree in bloom and my bud hardened to a lemon and a fiery wind thirsty for something juicy twisted the branch’s throat and stole the lemon cut it in half with the innocent pocketknife of a child’s small theft squeezing it hard to drip the juice in the roasting mouth of its gaping breath and by mistake in squeezing a tart torch of its drop was flung into your distant eye — a wish can fly as far as you desire — perhaps — just a hypothesis — it would be heard in your tear-ducts’ court. YOU’LL PERCEIVE NOTHING
You’ll perceive nothing you’ll just read in the morning some coded lips scrawled on your bedside glass with all-night water. I’m thinking of sending my melancholy to sleep with you tonight so I can be alone a little. In her bag under her evening meds I’ll pack as if by accident one of her childhood photos in case you sing her a lullaby and under the lullaby I’ll hide a second set of clothes in case things change and you keep her tomorrow also. Of course, how do you love by night another without asking? Listen: eros was an imperative before it was entreaty. Besides, you’ll feel nothing. She’ll not lie beside you exactly the exact is inhospitable. In an ample adjacent willingness she’ll sleep glued leaning sideways to the imperceptible — sublime creation: Love me you tellit and it loves. A pleasant surprise. Today at 6:30 AM — instead of 7 yesterday — the public streetlights dimmed. Some small birds tripped a bit over their hazy twitter but right away one constantly strengthening hand of light lofted them on high. So now day’s grown. By half and hour you will say. Is that so small? Just remember the chronovores — finally 2 minutes were enough not even. Then all the rest of the limitless remaining storm was yours. FORBIDDEN SUBSTANCES
Despite its polite temperature the night hustled October to its finish. Others too sat outside timid each one’s fear won’t easily forgo that tepid prequel of the wintry and so I too detoured your Nordic climate with an almost summery attitude. Are you cold? No we were discussing heatedly how very black the absent stars painted the sea your orange juice sat far from my coffee and totally out of context you whispered love dies before it gets to age I barely heard you pulled your chair so violently close its iron leg jammed into my leg’s thought and up flared a suspect otherworldly fragrantly vacant pain plainly you God from your secret and forbidden heights had squeezed derision in my cup. OF VISIBLE AND INVISIBLE c. Crickets Without Night Night I heard the crickets and the stars praising with incense you who gives them meaning — if you don’t come they neither sing nor shine I heard the invisibles whisper gratitude for the absolute silence you spread allowing their resonance to clamber safely up awe’s giant trunk. I also heard a few cowards badmouthing you for obscuring us how can they see to love us without light. What off-the-wall argument, as if stars and crickets without night love has ever clearly seen. Only by her genetically weak spark the wind-whipped light enlarged. NOT ONE EXCEPTED Dreams are so antisocial. No friendships or bonds they sooner see us than vanish a spark exposed to a squall. Anthropophobia? Perhaps injured vanity since they work down in the mines of chances lost. They too had other dreams, you see. SYNTHESIS A late-arriving friend brought by a basket of flowers progressively arrayed, white proper roses in the center fortressed in their buds, a moat of laurel leaves around the Achilles virtue of their freshness, and something else among their vital defended naïveté . . . And as our torrent of familiarity brought up a daze of stories, inner-tubes of events, tree-trunks of seductions, twigs of fame, their chance and reckless current flung your name forcefully against the boulders of my hearing how you had died in Africa too soon — your heart fell from its horse. So why had I insured your life in some newly-constituted little poem? It searched for a customer like mad. I don’t even remember what huge sensation I exerted to ensure your voice’s mane the silver melodic identity — in capital notes inscribed the purebred name of your hand — the violent equestrian gaze and me left below it at the trough. . . . dark little purple knots, third cousins twice removed of tears, bury your very early news.
DIVERGENCE Instead of hyacinths I thought I’d bring you heliotropes today so that my care might have more upright stems and its bony already meaning seem round-faced full of sun’s seeds. Heliotropes. Silosof glowing heat. I prayed you’d benefit. And having arranged aesthetically by even heights my duty in the vase I stopped a bit to ascertain the flowers would rotate as their name heralds. Astonished I saw them turn toward my prayer’s lunatic fulfillment gazing not at the sun but you. Out of respect. You were thousands of light years you recede. ![]() | ||