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Read Melissa Buckheit’s interviewwith Orlando White in this issue

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Read Melissa Buckheit’s reviewof Orlando White’s Bone Light in this issue

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Contributor Notes




Orlando White

Orlando White




ToUncolor

 

Use paper tweezers pinch free the ink delicately like pin-bonesfrom a fish. Pull out stems, cross bars, ascenders, and descenders. Now, place the page inside a crucible, fill withchlorine and bring to a boil. Add a measure of borax to help cleanse serif blotches. Place a lid atop of it waitmomentarily. When edges of type are anti-aliasedthe limits of language restrain. In the meantime think of folio steam burns, its layers blistering lampblack, color fluiddischarging and then to liquid parching. Do not damage the surface—asmudge is immutable. Even its dense sentences and paragraphs should begin to degradeas the pulp loosens. Watch as the letterdisarticulates from its baseline likea rotary joint unhitching from a spine through maceration: it’s in that momentprint attains a satori of blankness, permutes the paper of complete space.