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The Drunken Boat ISSN:1530-7646
Fall-2001 Vol.2, Issue III


Alas!
You have shattered
The beautifulworld
With brazen fist;
It falls, it is scattered.
Goethe’s Faust
 

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Happy Birthday, Arthur! Arthur RimbaudThe Drunken Boat takes its title from Arthur Rimbaud’s“Le bateau ivre.” Rimbaud was born October 20, 1854. To read thecomplete poem in English translation.

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RecentIssues


Take a look at our Summer 2001with an interview with Arthur Sze
Arthur Szeabout his new translations from the Chinese.

Spring 2001 with an interview with Coral Hull Coral Hull.

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Issues2000

Spring 2000Ruth StoneRuth Stone.

Summer 2000David Romtvedt
David Romtvedt
.

Fall2000
Eleanor Wilner EleanorWilner.

Winter 2000Tony Barnstone
TonyBarnstone
.


 
E-Interview

Sam Hamill

So I try to make my art fromhumble origins and humble daily practice, nevertheless believingcompletely that the path of poetry is one of the ten thousand paths tothe Buddha, and that the practice of poetry itself is entirelysufficient in and of itself. I am a tireless student of the Way ofPoetry. I’ve always loved Gary Snyder’s remark, ‘as a poet, I hold themost archaic values on earth.’ An e-interview with Sam Hamill.

By Rebecca Seiferle.

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Online

Brindin PressThis site is dedicated to all who translate poetry or enjoy poetry inlanguages in which they are not fluent. Brindin Press is apartnership. . . we set up the website in October 2000. The translationscome partly from published works, and most publishers are very happy towork with us, and partly from unpublished enthusiasts who in our viewdeserve to be published! By Brian Cole.


Danforth Review logo
started inSeptember 1999 as a small, occasional online magazine for up-and-comingfiction writers and poets. The magazine soon expanded to includereviews, interviews, and other features. An introduction to an excitingsite of Canadian literature. By Michael Bryson.



Frigate logo
The Transverse Review of Books began asnostalgia. I missed the sense of literary community and the heated oralexchanges that characterized Box 749 Magazine during theseventies– the heyday of the little-magazine movement. Far into thenight we debated the aesthetics of submitted poems and stories. Morethan thirty years later, I still wish that we had published a poem byJohn Burnett Payne that gave to tugboats (which are traditionally namedfor their owners’ wives, mothers, and sisters) the names of women poets:‘The Amy Lowell.’ ‘The Elinor Wylie.’ ‘The Emily Dickinson.’ But thatwas a battle I lost.

By Patricia Eakins.

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Continuing Features

archipelago logo
We are pleased to announce the latest fromArchipelago which includes, among many riches, A suite of poemscomplex and ironic, by the Romanian poet, professor, swimmer, andgenerally remarkable personage Mihai Ursachi, should acquaint us with apoet not well-enough known in America, who is his country’s nominee forthe Nobel Prize in literature. ‘What crazy words I used to speak, oh, Iwanted / to be sure that we existed, that truly we are: that here, /here is a tree, or a pillar, and we’re standing beside it, alive.’ ByKatherine McNamara.


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Safe Harbors

The PsychoanalyticExperience: Analysands Speak An anthology of client voices for the purpose of exploring therelationship that exists between therapist and client and fordocumenting client accounts of their experiences in therapy. Thejournal, which might act as an archive, is an open book that accepts newmaterial around the clock. All forms of writing are welcome —poem, essay,memoir, non-fiction fragment and diary —from emerging and experiencedwriters. By Esther Altshul Helfgott.





E-Chapbook

l thi diem thy A powerful and elegiac electronic chapbook bythe Vietnamese-American poet, lé thi diem thy.

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Reviews

Measures byNadya Aisenberg. To read this collection is to marvel at the author’scourage and generosity in describing the necessity of letting go.Reviewed by Joyce Wilson.

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Columns

pen logo
Observations

A look at theWest Chester Writer’s Conference where The focus. . .is exploring poetrythrough form and narrative. This encouragement to pay attention tostructure becomes evident with the first open reading, where many of thepoets read verse that plays with language and rhyme. By JoyceWilson.

pen logo
riverviews

In May, I traveled to Lithuania as a guest of the Writers’ Union, toparticipate in an international poetry festival. . . Rather thanrecount an itinerary, this column grapples with what my visit toLithuania has come to mean, especially since the events of September 11,2001. By J.C. Todd.

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Sites Featured:

Analysands Speak

Archipelago

Brindin Press

Danforth Review

Frigate

Liternet

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Previously Featured

Arbutus
Archipelago
Atlanta Review
Bellingham Review
BigCityLit
Caribbean Writer
Defined Providence
Dublin Writers Workshop
Isibongo
KotaPress Journal
LA PoetryFestival
The Library
Literary Salt
New Mexico CultureNet
New Works Review
NYSLitTree
Niederngasse
Online Center/Gidean Studies
The Poetry Porch
Pudding House
Rattapallax Press
Salmon Publishing
Samsara Quarterly
Santa Fe Poetry Broadside
Switched-on Gutenberg
Transference
UN Dialogue on Civilizations
Wise Womens Web

Links

American Academy of Poets
Archipelago
AWP
Bellingham Review
Beloit PoetryJournal
Big CityLit
BOA Editions
The CaribbeanWriter
Copper CanyonPress
DefinedProvidence
Dublin Writers Workshop
Free Verse Poetry Journal
Isibongo
KotaPress
LA Poetry Festival
The Library
Literary Salt
the Marlboro Review
New Works Review
Niederngasse
OnlineCenter/GideanStudies
Paris Press
Pif
Ploughshares
Poetry Daily
Poetry Kit
The Poetry Porch
Poets&Writers;
Pudding House
Rattapallax Press
Salmon Poetry
Samsara Quarterly
Santa Fe Poetry Broadside
Southern OceanReview
Switched-On Gutenberg
Transference
UN Dialogue
Wise Womens Web

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The Drunken Boat is owned and operated by RebeccaSeiferle and published from Farmington, New Mexico, USA.[email protected] |